Soon after the first elecÂtion of DonÂald Trump to the presÂiÂdenÂcy of the UnitÂed States, George Orwell’s NineÂteen Eighty-Four became a bestÂseller again. ShootÂing to the top of the AmerÂiÂcan charts, the novÂel that inspired the term “Orwellian” passed Danielle Steel’s latÂest opus, the poetÂry of Rupi Kaur, the eleventh Diary of a Wimpy Kid book, and the memÂoir of an ambiÂtious young man named J. D. Vance. But how much of its renewed popÂuÂlarÂiÂty owed to the relÂeÂvance of a nearÂly 70-year-old vision of shabÂby, totalÂiÂtarÂiÂan future EngÂland to twenÂty-first cenÂtuÂry AmerÂiÂca, and how much to the fact that, as far as influÂence on popÂuÂlar culÂture’s image of politÂiÂcal dystopia, no othÂer work of litÂerÂaÂture comes close?
For all the myrÂiÂad ways one can critÂiÂcize his two adminÂisÂtraÂtions, Trump’s AmerÂiÂca bears litÂtle superÂfiÂcial resemÂblance to OceaÂniÂa’s Airstrip One as ruled by The ParÂty. But it can hardÂly be a coinÂciÂdence that this periÂod of hisÂtoÂry has also seen the conÂcept “post-truth” become a fixÂture in the zeitÂgeist.
There are many reaÂsons not to want to live in the world Orwell imagÂines in NineÂteen Eighty-Four: the thorÂough bureauÂcraÂtiÂzaÂtion, the lack of pleaÂsure, the unceasÂing surÂveilÂlance and proÂpaÂganÂda. But none of this is quite so intolÂerÂaÂble as what makes it all posÂsiÂble: the rulers’ claim to absolute conÂtrol over the truth, a form of psyÂchoÂlogÂiÂcal manipÂuÂlaÂtion hardÂly limÂitÂed to regimes we regard as evil.
As James Payne says in his Great Books Explained video on NineÂteen Eighty-Four, Orwell worked for the BBC’s overÂseas serÂvice durÂing the war, and there received a trouÂbling eduÂcaÂtion in the use of inforÂmaÂtion as a politÂiÂcal weapon. The expeÂriÂence inspired the MinÂistry of Truth, where the novÂelÂ’s proÂtagÂoÂnist WinÂston Smith spends his days re-writÂing hisÂtoÂry, and the dialect of Newspeak, a severeÂly reduced EngÂlish designed to narÂrow its speakÂers’ range of thought. Orwell may have overÂesÂtiÂmatÂed the degree to which lanÂguage can be modÂiÂfied from the top down, but as Payne reminds us, we now all hear culÂture warÂriors describe realÂiÂty in highÂly slantÂed, politÂiÂcalÂly-charged, and often thought-terÂmiÂnatÂing ways all day long. EveryÂwhere we look, someÂone is ready to tell us that two plus two make five; if only they were as obviÂous about it as Big BrothÂer.
RelatÂed conÂtent:
George Orwell Explains in a RevealÂing 1944 LetÂter Why He’d Write 1984
George Orwell’s HarÂrowÂing Race to FinÂish 1984 Before His Death
What “Orwellian” RealÂly Means: An AniÂmatÂed LesÂson About the Use & Abuse of the Term
Aldous HuxÂley to George Orwell: My HellÂish Vision of the Future is BetÂter Than Yours (1949)
Based in Seoul, ColÂin Marshall writes and broadÂcasts on cities, lanÂguage, and culÂture. His projects include the SubÂstack newsletÂter Books on Cities and the book The StateÂless City: a Walk through 21st-CenÂtuÂry Los AngeÂles. FolÂlow him on the social netÂwork forÂmerÂly known as TwitÂter at @colinmarshall.